Posted: February 15th, 2011 | Author: alicetiara | Filed under: internet culture | Tags: Press, twitter | No Comments »
Danah and I have an editorial in the Guardian today titled “Tweeting teens can handle public life”. Here’s an exerpt:
…Not all teens use Twitter, and those who do don’t all use it in the same way. The sense of what’s appropriate on Twitter varies wildly by social group and locale – is it OK to break up with someone on Twitter? To tweet a hundred times a day? Similarly, young people use Twitter in different ways. Some primarily follow celebrities, enjoying the glimpses into their lives, sending @replies to their favourites in the hope of a response and chatting with other fans. Others like getting coupons and freebies from Twitter-savvy brands. Still other teens use Twitter to play hashtag games, like #lessambitiousmovies (think “The Devil Wears Payless” and “The Above Average Four”), where their bon mots can be retweeted or commented on by thousands they may not know. There are also countless teens who use Twitter primarily to engage with people they know from school, summer camp or after-school activities. Who teens imagine reading their tweets very much shapes their style of participation.
We turned this piece around in a weekend, and I think it’s a breezy, yet nuanced, view of the topic.
Posted: July 9th, 2010 | Author: alicetiara | Filed under: publications | Tags: papers, publications, twitter | 1 Comment »
The first paper that danah boyd and I wrote together based on our research at MSR last summer has been published!
Social media technologies collapse multiple audiences into single contexts, making it difficult for people to use the same techniques online that they do to handle multiplicity in face-to-face conversation. This article investigates how content producers navigate ‘imagined audiences’ on Twitter. We talked with participants who have different types of followings to understand their techniques, including targeting different audiences, concealing subjects, and maintaining authenticity. Some techniques of audience management resemble the practices of ‘micro-celebrity’ and personal branding, both strategic self-commodification. Our model of the networked audience assumes a many-to-many communication through which individuals conceptualize an imagined audience evoked through their tweets.
If you have access to a university journal subscription, you can access it here. If not, you can download it here [PDF].
I am very proud of this paper and would love to hear feedback on it.
Posted: May 20th, 2009 | Author: alicetiara | Filed under: internet fame, Twitter | Tags: twitter | No Comments »
So I’m working on a project about celebrity use of Twitter. Here are a few recent tools I’ve found to be endlessly entertaining when looking at celebs, status, and social norms on Twitter:
- Who Celebs Tweet, with the tagline: Have they tweeted you? I find this the most interesting because they have a very clear demarcation between who is a celeb and who isn’t. Like, according to them, Heidi Montag is not a celeb. I don’t necessarily think she should be a celeb, but to deny that she’s famous seems odd. Maybe the proprietors never read the tabloids.
- TweetingTooHard.com – this is sort of like Texts From Last Night minus all the drunk skulduggery and adding a lot of self-aggrandizing obnoxiousness. Tops now is “fan belt light came on in the 911 so now I’m driving the Cayenne Turbo S – the backup, backup car. Trying not to think about the Tesla…” That’s pretty bad.
- Truth Tweet attempts to verify celebrity Twitter accounts, using all sorts of sources to do so. Extremely useful for my purposes (e.g. nerdily making lists of what signals celebrity “authenticity” on Twitter).